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@vivekpontoosh: in terms of
Bb
, there is no suspended 4th in this case. The 3rd of aBb
chord would be some kind ofD
, such asDb
forBb minor
orD
forBb major
. If there were a 4th for aBb
chord, then we would encounter anEb
in the chord. Simply put,Bb G D
reesults in a 1st inversionG minor
chord.A# is enharmonic (equivalent) to B-flat major.
(A# isn't used much because of all of the accidentals and double-sharps)
A# is an artifact from using the midi tables.
And if you look at this in Bb terms, it comes out to:
Bb G D, which is a raised 3rd (of 4th, or suspended)
which isn't a major triad
The major triad would be: Bb F D
Wrong translation: see above issue and fix proposed by
@anter69
Approved, thank you!
Yeeees)
Fixed, thank you!
Lol holy sh*t!
Hi. Unfortunately I can't give any hint without making the solution too obvious. I would suggest checking out some functional programming katas, as they might give you some ideas.
The syntax trick involved is actually pretty trivial, but it is used in an obscure/weird way to add an extra challenge.
OK. Nothing you can't find out on your own. Press
Test
in the trainer. Read the error message.Sorry. It's a puzzle.
Fixed.
I also
I am having the same problem
This is all because the description lacks 2 things:
In music theory, a major chord is a chord that has a root, major third, and perfect fifth.
So, I can see why the idea of a
Bb/A#
chord comes to mind first, because that's its root.You're right about a
third
defining chord modality, but we cannot assume the presence of anF
as a member of this chord.arpeggios
are chords simply played one note at a time, so they can also be just as complete or incomplete as any chord may or may not be, andbroken_chords
are no different in this principle.Stack them in
thirds
you getG Bb D
spellingGm
, andBb
is theminor third
here (defined in the kata asA#
) which just happens to be below the other two notes becasue the chord is inverted.Loading more items...